Science Visualisation - augmented cinematography - post-production
ANIMATION AND CGI
Heavy emphasis on procedural workflows
PHYSICS AND SIMULATION
Creating the sense of weight through heavy computation
DIGITAL ASSET DEVELOPMENT
Integrating assets into your 3d pipeline
SCIENCE VISUALISATION
Helping your story to be straight to the point and stylish
AUGMENTED CINEMATOGRAPHY
Enhancing storytelling through VFX and AI, and cutting production costs
AI TRAINING
Logistics of training and developing AI-based solutions
SPECIALISED CINEMATOGRAPHY
Microscopy, wide spectrum, focus stacking
PRODUCTION SUPPORT
Solving complex image-making and storytelling problems
COMMUNICATING COMPLEX SCIENTIFIC TOPICS
SCIENCE VISUALISATION FROM SPECIALISED CINEMATOGRAPHY TO VFX AND CGI
DEVELOPING ANIMATIONS AND 3D ASSETS FOR YOUR PROJECT
EDUCATIONAL MEDIA AND PRE-RENDERED SCENES FOR DOCUMENTARIES
REVEALING NATURE BEYOND TRADITIONAL CINEMATOGRAPHY
Nature is hiding behind the limits of optics, visible spectrum of light and camera design. Computation can reveal and extract the unexpected side of the natural world.

The example here and on the showreel demonstrates focus stacking, machine-learning-powered resolution increase, and in addition multi-channel fluorescence colour detail extraction.

While these types of imaging sound complex in their execution, such shots can be easily planned. The easiest way to put the process within the context of a traditional production is to treat any image processing as VFX.
POST-PRODUCTION
MAKING IMAGES COME TO LIFE
HDR-compliant workflows to deliver projects of any size: from small stories to producing entire documentaries.
FIXING MEDIA AND BRIGING THE BEST OUT OF IT
Grading, footage restoration, upscaling, fixing imperfections, object removal, compositing and more.
HANDLING LARGE QUANTITIES OF MEDIA AND DIGITAL ASSETS
Ability to scale based on the need of the production. Media library management. Handling large and non-standard file and data types.
MANAGING COMPUTATION-HEAVY PROJECTS
Providing access and logistics to large computation resources: simulations, renders, AI-related tasks, creation of complex geometry, etc.
SHOWREEL
About
Daniel Stoupin
Daniel is a biologist, science communicator, Emmy-award-winning natural history producer, cinematographer and a CG/VFX producer.

He was part of the crew in a multitude of productions such as Blue Planet 2, Chasing Coral, Tiny World, Prehistoric Planet; as well as co-producer and studio cinematographer in the Netflix film 'Puff: Wonders of the Reef.'

Throughout his career, Daniel's main focus has been on macro cinematography of marine subjects, complex motion-controlled time lapses, scientific live imaging and microscopy, as well as computational imaging that earned him recognition for a short time lapse clip 'Slow Life,' together with several Emmy nominations. His research career touched the topics of astrobiology, reef conservation, the origin of multicellularity, as well as cell biology of marine sponges.

Radiolaria Visuals has been established to unite diverse disciplines and bring the best technological capabilities into filmmaking and science communication.